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Waxworks
​Das Wachsfigurenkabinett

Paul Leni •  Germany  • ​  1924
82 mins  •   HD  •  B&W  •   PG 
German intertitles with English subtitles

One of the final works of German Expressionism offers a sophisticated melding of genres, as a young poet dreams up fantastical tales inspired by the waxworks of some notorious personages.

​“Consistently enthralling, years ahead of its time” – Time Out 
DIRECTOR: Paul Leni
PRODUCERS: Leo Birinsky, Alexander Kwartiroff

PRODUCTION CO: KNeptune-Film
SCREENPLAY: Henrik Galeen
PHOTOGRAPHY: Helmar Lerski
WITH: Emil Jannings (Harun al-Rashid), Conrad Veidt (Ivan the Terrible), Werner Krauss (Spring-Heeled Jack), William Dieterle (The Poet/Assad the Baker/Boyar), John Gottowt (Waxworks proprietor), Olga Belajeff (Eva/Maimune/Boyar bride) 

REVIEW

“Waxworks was the final film Paul Leni directed in Germany before striking out for Hollywood and making such classic works of genre filmmaking as The Cat and the Canary, The Man Who Laughs, and The Last Warning. Its sophisticated melding of genres was in fact what inspired Universal’s Carl Laemmle to invite Leni to come to Hollywood in the first place, as Laemmle was hoping to capitalise on the emerging comedy-horror craze of the 1920s. Yet Waxworks is, at heart, a pure example of German expressionism. Its stylised sets (designed by Leni), fantastical costumes, chiaroscuro lighting, and startlingly bold performances are paragons of the cinematic movement, and contribute heavily to the film’s lasting appeal.

The three separate episodes of Waxworks are united by the character of a young poet (William Dieterle), who is hired by the owner of a wax museum to create backstories for a trio of the museum’s figures: Caliph Harun al-Rashid (Emil Jannings), Ivan the Terrible (Conrad Veidt), and Jack the Ripper (Werner Krauss). The stories are depicted in succession (one per episode), the poet casting himself – as well as the daughter of the wax museum’s owner – at the centre of each tale. Though the poet and the daughter play different characters in the corresponding plots, they are always lovers whose relationship is threatened by the personages of the wax figures.”

— Masters of Cinema
​



FILM SOCIETY SCREENINGS*

Hamilton     
Monday, 07 August, 6.30pm

Wellington     

Monday, 21 August, 6.15pm

Dunedin
Wednesday, 30 August, 6.00pm


Palmerston North
Wednesday, 06 September, 6.00pm


Whanganui
Monday, 18 September, 7.00pm​


Canterbury
​Monday, 25 September, 7.00pm


​*Non-members welcome by donation (notes only please)​

See more GERMAN CINEMA >>

Picture
German Cinema selection presented in
co-operation with the Goethe-Institut

Film Societies of Aotearoa New Zealand

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  • HOME
  • ABOUT
  • SOCIETIES
    • AUCKLAND
    • HAMILTON
    • TAURANGA
    • NEW PLYMOUTH
    • WHANGANUI
    • PALMERSTON NORTH
    • CARTERTON
    • WELLINGTON
    • NELSON
    • CANTERBURY
    • TIMARU
    • OAMARU
    • QUEENSTOWN
    • DUNEDIN
    • WESTPORT
  • 2023 SEASON
    • JAPANESE CLASSICS
    • AUSTRALIAN CINEMA
    • NEW YORK ON SCREEN
    • WORLD & DOCUMENTARY
    • CULT & CLASSICS
    • NZ FILM
    • FRENCH CINEMA
    • AFRICAN CINEMA
    • GERMAN CINEMA