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Victims of Sin
Victimas del pecado

Emilio Fernández  •   Mexico  • ​  1951
84 mins  •  HD, B&W  •   PG violence & coarse language
In Spanish with English subtitles


Cabaret performer Ninón Sevilla stars in this blend of noir, melodrama and mambo musical from one of Mexican cinema’s most celebrated auteurs.

“One of the quintessential cabaretera films from the golden age of Mexican cinema” – Slant

DIRECTOR: Emilio Fernández
PRODUCERS: Guillermo Calderòn, Pedro Calderòn
PRODUCTION CO
: Cinematográfica Calderòn
SCREENPLAY: Emilio Fernández
PHOTOGRAPHY: Gabriel Figueroa
EDITOR: Gloria Schoemann
MUSIC: Antonio Díaz Conde
WITH: Ninón Sevilla (Violeta), Tito Junco (Santiago), Rodolfo Acosta (Rodolfo), Rita Montaner (Rita), Arturo Soto Rangel (Prison warden)

REVIEW

“Emilio Fernández was one of Mexican cinema’s most celebrated auteurs — a visionary populist filmmaker who took the stuff of pulpy potboilers and created works of surprising depth. In this cabaret thriller, a nightclub dancer (played by the sensuous Ninón Sevilla) saves a baby that’s been left to die, raising him as her own. But the baby’s father — a pimp, a crook, and a murderer — forces himself into her life, and our heroine sinks into increasing desperation. The musical sequences — in particular Sevilla’s dancing — are raw, beautiful, and riveting, harnessing the impulses that get our characters into trouble when they go beyond the confines of the dance floor.”

– Bilge Ebiri, Vulture

“Onstage, Violeta (Ninón Sevilla) is the star of Cabaret Changó. When she dances, her power extends over the nightclub’s audience—drunks, musicians, gangsters, and onlookers — which shifts, from chaos to joy, with every transition she makes between tempos and traditions. Backstage, however, Violeta lives under the thumb of the violent and possessive Rodolfo — as do scores of local sex workers and dancers. When a newborn that Rodolfo claims isn’t his is abandoned, Violeta sacrifices her status and sets into motion a generational tale that mixes melodrama, amped-up noir lighting, and dancefloor storytelling that anticipates the intensified montage of Bob Fosse. Director Emilio Fernández, already a Palme d’Or winner (1944’s María Candelaria), together with cinematographer Gabriel Figueroa, turn the film’s cabaret confines into a dynamic space for sweeping camera moves. As a classic example of the cine de rumberas genre, Victims of Sin is a jolting rediscovery, mixing high-level craft and underworld action.”

– The Cinematheque


FILM SOCIETY SCREENINGS

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Wednesday, 21 May, 6.00pm​

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Monday, 07 July, 7.00pm

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Wednesday, 23 July, 6.00pm​

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Tuesday, 05 August, 8.00pm​

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Monday, 18 August, 7.00pm​

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Monday, 08 September, 6.15pm 

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Monday, 15 September, 6.30pm

Dunedin     
Wednesday, 24 September, 7.30pm

​Wellington    
Monday, 17 November, 6.15pm


Wellington    
Monday, 17 November, 8.30pm

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New Zealand Federation of Film Societies  |  PO Box 9544, Te Aro, Wellington, NZ  
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  • HOME
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