NZ FILM SOCIETY
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Kwaidan
​Kaidan​

Kobayashi Masaki  •   Japan  • ​  1964
183 mins  •  HD  •   PG violence
In Japanese with English subtitles


A colourful and visually stunning adaptation of four classic Japanese ghost stories, in which mortals encounter supernatural forces with fearful consequences.
​

“The ultimate in ghost stories!” – NY Herald Tribune 

DIRECTOR: Kobayashi Masaki
PRODUCER: Wakatsuki Shigeru
PRODUCTION CO
: Ninjin Club
SCREENPLAY: Mizuki Yoko, based on the stories by Koizumi Yakumo
PHOTOGRAPHY: Miyajima Yoshio
EDITOR: Sagara Hisashi
MUSIC: Takemitsu Tōru
WITH: The Black Hair: Mikuni Rentarō (Samurai), Aratama Michiyo (The first wife), Watanabe Misako (The second wife). The Woman of the Snow:  Nakadai Tatsuya (Minokichi), Kishi Keiko (Yuki-onna). Hoichi the Earless: Nakamura Katsuo (Hoichi the Earless), Tamba Tetsurō (Samurai), In a Cup of Tea: Nakamura Kan'emon (Kannai), Takizawa Osamu (Narrator) 

​FESTIVALS: Cannes

REVIEW

“Breathtakingly photographed on hand-painted sets, Kwaidan is at once a Japanese woodcut writ large, and an abstract wash of luminescent colors that seem to come from another world. An electronic soundtrack by avant-garde composer Toru Takemitsu plays hauntingly with natural sounds — crickets, rain, the cracking of wood, the loud silence of snow. Yet the stories — four of Lafcadio Hearn’s ghostly tales — strangely contradict this plastic splendor in their simple, aching humanity. All are tales of mortals caught by forces beyond their comprehension when the supernatural world intervenes in their lives. One of the most memorable of these is “Hoichi, the Earless,” in which a blind young monk is compelled by the ghosts of a famous battle to retell their story over and over again. In “The Snow Maiden,” the most eerily atmospheric of the tales, a woodcutter marries a woman whose true calling is to wander, enveloped in swirling snowflakes, bringing death to mortals.”

– Judy Bloch, BAMPFA


“At the time of its production, Kwaidan was the most expensive film ever made in Japan. It exhausted its budget three-quarters of the way through filming; Kobayashi was forced to sell his house, and his production company was bankrupted. But on its release it was hailed as a rare masterpiece, and won the Special Jurists’ Prize at the 1965 Cannes Festival.”

​– Philip Kemp, Sight & Sound
 


FILM SOCIETY SCREENINGS

Wellington     
Monday, 30 March, 6.00pm 


Wellington     
Tuesday, 31 March, 8.30pm


Hamilton   
Monday, 06 July, 6.30pm

New Plymouth
Wednesday, 29 July, 6.00pm

Auckland   
Monday, 17 August, 6.00pm

​
Whanganui
Monday, 31 August, 7.00pm

Canterbury     
Monday, 21 September, 7.00pm


Dunedin
Wednesday, 07 October, 7.30pm

RETRO CLASSICS >> 

Film Societies of Aotearoa New Zealand

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New Zealand Federation of Film Societies  |  PO Box 9544, Te Aro, Wellington, NZ  
Phone: +64 4 385 0162  |  Fax: +64 4 801 7304  |  Email: [email protected]
  • HOME
  • ABOUT
  • SOCIETIES
    • AUCKLAND
    • HAMILTON
    • TAURANGA
    • NEW PLYMOUTH
    • WHANGANUI
    • PALMERSTON NORTH
    • CARTERTON
    • WELLINGTON
    • NELSON
    • CANTERBURY
    • TIMARU
    • OAMARU
    • QUEENSTOWN
    • DUNEDIN
    • WESTPORT
  • 2026 SEASON
    • MIKHAIL KALATOZOV
    • HONG KONG CLASSICS
    • MUSICAL NOT MUSICAL
    • 70s THRILLERS
    • CONTEMPORARY JAPAN
    • KIWI CINEMA
    • RETRO CLASSICS
    • CULT FAVOURITES
    • FRENCH CONNECTIONS
    • GERMAN CINEMA
    • WORLD CINEMA