NZ FILM SOCIETY
  • HOME
  • ABOUT
  • SOCIETIES
    • AUCKLAND
    • HAMILTON
    • TAURANGA
    • NEW PLYMOUTH
    • WHANGANUI
    • PALMERSTON NORTH
    • CARTERTON
    • WELLINGTON
    • NELSON
    • CANTERBURY
    • TIMARU
    • OAMARU
    • QUEENSTOWN
    • DUNEDIN
    • WESTPORT
  • 2025 SEASON
    • SWEDISH CINEMA
    • KUROSAWA
    • PECKINPAH'S WEST
    • COMEDY CORNER
    • GHOST STORIES
    • NZ FILM
    • RETRO CLASSICS
    • FRENCH CONNECTIONS
    • GERMAN CINEMA
    • WORLD CINEMA

Beginning
​Dasatskisi

Dea Kulumbegashvili  •   Georgia/France • ​  2020
126 mins  •  HD  •   R16 rape, sexual references, offensive language & content that may disturb
In Georgian with English subtitles


A devout young woman wrestles with persecution and patriarchal confinement in this arresting feature debut that recalls the works of Michael Haneke, Carlos Reygadas and Chantal Akerman.  

​
“This film is a revelation” – Luca Guadagnino
​
DIRECTOR: Dea Kulumbegashvili
PRODUCERS: Ilan Amouyal, Rati Oneli, David Zerat

PRODUCTION CO: First Picture, OFA
SCREENPLAY: Dea Kulumbegashvili, Rati Oneli
PHOTOGRAPHY: Arseni Khachaturan
EDITOR: Matthieu Taponier
MUSIC: Nicolas Jaar
WITH: Ia Sukhitashvili (Yana), Rati Oneli (David), Kakha Kintsurashvili (Alex), Saba Gogichaishvili (Giorgi)

FESTIVALS: Cannes, Toronto

REVIEW

“Georgian writer-director Dea Kulumbegashvili’s fierce feature debut, about a Jehovah’s Witness whose faith is tested, opens with an act of hostility. The camera observes from a fixed point at the back of a Kingdom Hall as the space fills and blinds are eventually drawn. Minutes into the service, someone throws a firebomb into the room. The camera continues to watch as flames start to spread.

Beginning centres on Yana (Ia Sukhitashvili), former actress and dutiful wife of congregation leader David (Rati Oneli, who cowrote the film). Yana must navigate both her domineering husband and Alex (Kakha Kintsurashvili), a dangerous man who insists he is a police detective from Tbilisi. Kulumbegashvili draws parallels between the local contempt for Jehovah’s Witnesses — a religious minority in the Georgian mountain town of Lagodekhi — and a broader patriarchal contempt for women. Sukhitashvili’s subtle performance brings interiority to a character who might otherwise be defined entirely by her suffering.
The director favours a static camera and extended takes that give her compositions a holy quality. The length of certain scenes feels confrontational, not unlike Chantal Akerman’s long takes in her 1975 feminist classic Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. Through this rigorous aesthetic, a distinctive point of view emerges.”

– Simran Hans, The Guardian


FILM SOCIETY SCREENINGS

Hamilton  
Monday, 05 May, 6.30pm

Auckland  

Monday, 26 May, 6.00pm ​

​Nelson 

Wednesday, 13 August, 6.00pm

Timaru  
Tuesday, 26 August, 6.30pm

Whanganui   

Monday, 15 September, 7.00pm​

​Palmerston North 
Wednesday, 29 October, 6.00pm

Celebrate CONTEMPORARY CINEMA >>

Film Societies of Aotearoa New Zealand

HOME
ABout
Societies
New Zealand Federation of Film Societies  |  PO Box 9544, Te Aro, Wellington, NZ  
Phone: +64 4 385 0162  |  Fax: +64 4 801 7304  |  Email: [email protected]
  • HOME
  • ABOUT
  • SOCIETIES
    • AUCKLAND
    • HAMILTON
    • TAURANGA
    • NEW PLYMOUTH
    • WHANGANUI
    • PALMERSTON NORTH
    • CARTERTON
    • WELLINGTON
    • NELSON
    • CANTERBURY
    • TIMARU
    • OAMARU
    • QUEENSTOWN
    • DUNEDIN
    • WESTPORT
  • 2025 SEASON
    • SWEDISH CINEMA
    • KUROSAWA
    • PECKINPAH'S WEST
    • COMEDY CORNER
    • GHOST STORIES
    • NZ FILM
    • RETRO CLASSICS
    • FRENCH CONNECTIONS
    • GERMAN CINEMA
    • WORLD CINEMA