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Kiwi Jokers | More… |
The
Lounge Bar, Don Mcglashan & Harry Sinclair, 1988 |
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A State of Siege/In Spring One Plants Alone | More… |
| Two featurettes by Vincent Ward who will return this year with Rain of the Children based on his award-winning documentary In Spring One Plants Alone. | ||
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| New Zealand |
| Once again the New Zealand Film Commission has generously invited Film Societies to choose from our rich recent heritage, including an eclectic range of emerging and established short film talent. |
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The Navigator |
| Vincent Ward, NZ 1988, 16mm | |
A visionary boy leads five men from the 14th Century into a 20th Century city. Their quest: to save their village before sunrise. Screens at Hamilton
and Whaingaroa Film Societies |
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Bread & Roses |
| Gaylene Preston, NZ 1993, 16mm | |
The true story of a courageous woman who triumphs against overwhelming odds to make an extraordinary life. Screens at Queenstown
Film Society |
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Illustrious Energy |
| Leon Narbey, NZ 1987, 35mm | |
In 1890s New Zealand, two Chinese goldminers make a lucky strike. Will it help them achieve their lifetime dream? Screens at Nelson Film Society |
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Skin Deep |
| Geoff Steven, NZ 1979, 16mm | |
A masseuse from the city gets an unexpected welcome when she moves to a prejudiced small town. Screens at Waitati Film Society |
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Kingpin |
| Mike Walker, NZ 1984, 16mm | |
Teenagers in a reform school fight for supremacy - but Willie refuses to accept their domination. Screens at Waitati Film Society |
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The Footstep Man |
| Leon Narbey, NZ 1992, 35mm | |
The past and present interweave in this story of dreams and obsession during the making of a movie. With Jennifer Ward-Lealand. Screens at Auckland, Dunedin and Canterbury Film Societies |
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Te Rua |
| Barry Barclay, NZ 1991, 35mm | |
Heroes or terrorists? Three young Maori activists move into Berlin to seize from a great museum ancestral carvings which were stolen a century earlier. Screens at Auckland Film Society |
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Carry Me Back |
| John Reid, NZ 1982, 35mm | |
Two farm boys set out to smuggle their father's body back to the family farm so they can claim their inheritance. Screens at Hamilton Film Society |
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