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| Monday 13 February, 7:30 pm |
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| Rushmore |
| Wes Anderson | USA | 1998 | 16mm | M |
| “Rushmore is made to be treasured: it feels like an immediate American classic.” - Richard Kelly, Sight & Sound |
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| Monday 06 March, 7:30 pm |
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| The Man Who Knew Too Much |
| Alfred Hitchcock | UK | 1934 | 16mm | B&W | GY |
| “Vintage Hitchcock, with sheer wit and verve masking an implausible plot that spins out of the murder of a spy in an equally implausible Switzerland (all back-projected mountains), leaving a pair of innocent bystanders to track his secret – and their kidnapped daughter – in a dark and labyrinthine London.” – Time Out |
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| Monday 07 August, 7:30 pm |
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| Sweet Smell of Success |
| Alexander Mackendrick | USA | 1957 | 35mm | B&W | PG |
| A brash young publicity agent seeks the good graces of an all-powerful newspaper columnist. “Late noir classic – unmissable” – The Guardian |
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| Monday 03 April, 7:30 pm |
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| Belle de Jour |
| Luis Buñuel | France/Italy | 1967 | 35mm | R18 |
| Buñuel’s erotic classic charts the double life of Séverine (Catherine Deneuve), housewife and hooker. “Perversely funny… gives depravity a touch of class.” - San Francisco Chronicle |
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| Monday 08 May, 7:30 pm |
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| The End of the Golden Weather |
| Ian Mune | NZ | 1991 |
| Geoff Crome believes in miracles. He sees them every day on the beach where he lives in this last perfect summer of his childhood. |
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| Monday 12 June, 7:30 pm |
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| Unknown Chaplin |
| Kevin Brownlow & David Gill | UK/USA | 1983 | 16mm | Colour and B&W | GY |
| Three-part documentary series originally made for Thames Television. “A priceless contribution to film history… an essay that makes visible that most invisible of human endeavours, the creative process.” – Richard Schickel, Time |
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| Marlborough Film Society |
Marlborough Film Society 2006 Season screens Mondays at 7:30 pm Contact: The Secretary Email: karenwalshe@actrix.co.nz |
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| Monday 03 July, 7:30 pm |
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| Shoeshine |
| Sciuscià | Vittorio de Sica | Italy | 1946 | 16mm | B&W |
| One of the earliest triumphs of Italian neo-realism. “This tragic study of the corruption of innocence is intense, compassionate, and above all, humane.” – Pauline Kael |
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| Monday 04 September, 7:30 pm |
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| Manhattan |
| Woody Allen | USA | 1979 | 35mm | B&W | R16 |
| “A loving tribute to neurotic New York, an evocative Gershwin score, funny and sad in exactly the right proportions… Allen may never better this film” – Time Out |
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| Monday 02 October, 7:30 pm |
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| Kiwi Animation |
| The Orchard (Bob Stenhouse), The Nightwatchman (Joe Wylie, John Robertson), The Grocer’s Apprentice (Sebastian Doyle), Decaff (Greg Page), Delf (James Cunningham), Infection (James Cunningham), Grass (Simon Otto), Egg & Bomb (George Port) |
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| Monday 06 November, 7:30 pm |
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| Brother's Keeper |
| Joe Berlinger & Bruce Sinofsky | USA | 1991 | 16mm | GA |
| “A morally ticklish and very bizarre slice of Americana about a 1990 murder case… notions of guilt and innocence are almost secondary to the fascinating scenario that unfolds in the cloistered farming community of Munnsville, New York state.” – Dallas Morning News |