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In the Aisles
In den Gängen

Thomas Stuber •  Germany  • ​  2018
126 mins  •   HD  •   M violence
In German with English subtitles

Franz Rogowski and Sandra Hüller head a superb cast in this tender, lyrical film about friendship and romance on the night shift in a wholesale market. 

“A poignant and richly sympathetic film” –
Guardian
DIRECTOR: Thomas Stuber
PRODUCERS: Jochen Laube, Fabian Maubach
SCREENPLAY: Clemens Meyer, Thomas Stuber
PHOTOGRAPHY: Peter Matjasko
EDITOR: Kaya Inan
PRODUCTION DESIGNER: Jenny Roesler
COSTUME DESIGNER: Juliane Maier, Christian Röhrs
WITH: Sandra Hüller (Marion), Franz Rogowski (Christian), Peter Kurth (Bruno), Andreas Leupold (Rudi), Michael Specht (Paletten-Klaus), Steffen Scheumann (Norbert), Ramona Kunze-Libnow (Irina), Henning Peker (Wolfgang), Matthias Brenner (Jürgen), Gerdy Zint (Tino)

FESTIVALS: Berlin 2018

REVIEW

“In the night-time world of an East German supermarket, forklifts glide, crates of alcohol are stacked, and shelves of gourmet foodstuffs are re-filled. Despite the grim climate of ‘re-unified’ Germany, where the economic imperative dictates that edible food must rot in bins, the workers find their own ways to carve out humane spaces.

Rising German star Franz Rogowski (Transit) is immensely watchable, despite few words, as Christian, the new worker with a troubled past taking his first shift in the prestigious aisle of Beverages. Before long, he has fallen for a nearby worker from the Sweet Goods aisle. Sandra Hüller, whom many will recognise from Toni Erdmann, plays the object of his attention. Both shine, as do the surrounding support cast who hold their lonely realities with poignancy and humour. Peter Matjasko’s cinematography delicately captures the bizarreness of this surreal world, in all its magical and heart-breaking poetry.


​
Director Thomas Stuber’s delightfully considered third feature fully immerses the viewer in this culturally specific folk tragedy which resonates with films like I, Daniel Blake, portraying the way people slip through the gaps in a capitalist world. It’s simple but deeply suspenseful, and as the screws turn in the plot, several heavy threats hang large…” 

— Jo Randerson, NZIFF 2018



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See more GERMAN CINEMA >>

Picture
German Cinema selection presented in
co-operation with the Goethe-Institut

Film Societies of Aotearoa New Zealand

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  • HOME
  • ABOUT
  • SOCIETIES
    • AUCKLAND
    • HAMILTON
    • TAURANGA
    • NEW PLYMOUTH
    • WHANGANUI
    • PALMERSTON NORTH
    • CARTERTON
    • WELLINGTON
    • NELSON
    • CANTERBURY
    • TIMARU
    • QUEENSTOWN
    • DUNEDIN
    • WESTPORT
  • 2021 SEASON
    • SPIKE LEE
    • SOUTH AMERICAN CINEMA
    • RUSSIAN CINEMA
    • CONTEMPORARY WORLD
    • CLASSIC & CULT
    • NZ FILM
    • FRENCH CONNECTIONS
    • GERMAN CINEMA
    • TILDA
    • KIAROSTAMI
    • MIDDLE EASTERN CINEMA
    • SPACES & PLACES