24 Weeks
24 Wochen

Anne Zohra Berrached
​Germany  ·  2016
​
 Julia Jentsch stars as a comedian who is six months pregnant and confronted with a heart-wrenching decision.

“Meticulous and quietly forceful… follows a track that feels at once implacable and unpredictable.” 
​– Film Comment

​Screening times, reviews and trailer >>

Wild
​

Nicolette Krebitz
​Germany  ·  2016
​
A chance encounter with a wolf is life-changing for the lonely young woman at the heart of this challenging drama.

“Somewhere between a love story and a twisted variation on Beauty and the Beast.”
​ – Screendaily


​Screening times, reviews and trailer >>

Fukushima, Mon Amour
​Grüsse aus Fukushima

Doris Dörrie
Germany  ·  2016
​
 In the aftermath of the nuclear disaster a young German woman travels to Fukushima and joins a charity circus group.

“Peppered with absurdist cross-cultural gags– offers a refreshingly quirky perspective on a heavy subject.”
–Variety

​Screening times, reviews and trailer >>​

NEW GERMAN CINEMA

​presented in co-operation with the Goethe Institut
Revisit two classics from the New German Cinema movement

Open to the public: non-members are welcome by donation

Young Torless
Der junge Törless

Volker Schlöndorff
​West Germany  ·  1966

Young cadets in an Austrian military academy at the turn of the 20th century move between childhood and adulthood in this insightful first film that launched the New German Cinema movement.

“A chilling anticipation of a culture stifled by authoritarian regimes and attitudes.” 
– Criterion

​​Screening times & reviews >>

Paris, Texas

Wim Wenders
W. Germany/Fr/UK  ·  1984
​
Paris, Texas follows a mysterious, nearly mute drifter Travis (Harry Dean Stanton) as he tries to reconnect with his young son, and his missing wife (Nastassja Kinski). 

"A powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon."
​- Criterion

​​Screening times, review & trailer>>

German Cinema selection presented in co-operation with the Goethe Institut
Non-members are welcome by donation