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| De fem benspænd, Denmark 2003 |
If you’re intrigued by the games filmmakers play, you should be ready for anything after seeing the high jumps devised by self-styled bastard Lars von Trier. In 1967 the man he calls his mentor, Jørgen Leth, directed what became a famous short, The Perfect Human. The film examined a ‘perfect’ man and a ‘perfect’ woman as if they were anthropological specimens, while a dry commentator described their mundane actions. Now von Trier challenges Leth to remake his little classic five different ways, each time imposing radical limitations – shots can only last half a second, for example, or the film must be animated (‘I hate cartoons,’ says Leth. ‘So do I,’ replies von Trier). We watch the clash of wills and we see what Leth produces, goaded into experimentation by his obstructive admirer. Can he prove himself and express himself at the same time? – NZ International Film Festival “An engrossing wielding of art and mind games… such an entertaining art-damaged reality show that MTV is practically guaranteed to steal the idea for a new series.” – Elvis Mitchell, New York Times |
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